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På en flickskola i mellankrigstidens Edinburgh samlar Miss Jean Brodie - en frigjord, passionerad och högst målmedveten lärarinna - en skara noggrant handplockade elever: de allra, allra bästa, hennes flickor, Brodies gäng. De mer konventionella skolämnena får ge vika för kärlek, politik och konst, och Miss Jean Brodie gör allt för att forma flickorna till starka och oberoende kvinnor. Samtidigt har hon kärleksaffärer med två av skolans manliga lärare, varav den ena är gift. »Tryggheten är inte detviktigaste«, manar hon sina elever. »Godhet, Sanning och Skönhet är det viktigaste. Följ mig.« Och det gör de. Men en av flickorna ska komma att förråda henne.I översättning av Ingeborg von Rosen och med förord av Andres Lokko.MURIEL SPARK [19182006 ] är en skotsk romanförfattare och poet vars produktiva författarskap tillhör de verkligt säregna och betydande från det brittiska 1900-talets andra hälft. Romanen Miss Jean Brodies bästa år [The Prime of Miss Jean Brodie, 1961] blev hennes stora genombrott - och är fortfarande hennes mest lästa och omtyckta bok. [Elib]… (mer)
I feel I read this in the wrong mood and if I'd been less off I'd have enjoyed it more. So maybe it's a 4 star idk. Anyway.
I did feel like... there was constantly something being communicated that was eluding me. I think what came across most for the first half is the sense that Miss Brodie is rather pathetic and she's only able to impress 10 year old girls. This is such a strong impression and I feel it has to be deliberate - she's treated something like a figure of fun with her ridiculous maxims and claims that aren't borne out. Indeed, a key part of the book is that none of her "set" lead lives anything like she wants them to. But you also pretty clearly get the sense that the narrator is not telling the whole story. Our understanding of her is entirely through what the girls know, and we see things mostly through children's eyes.
So it makes sense that for children who don't know any different, Miss Brodie DOES make a big impression because she's letting them into "adult" things. Although at the same time it's... hard to tell what's "normal" from that time period and what's actually weird. Obviously now a school teacher having a few girls around at her flat every Saturday would be unthinkable but also apparently it's not an issue enough for the headmistress to dismiss her. It's weird how she's looking for an issue for seemingly... 7 years? And never finding one until the very end. Which again suggests that something is going on that we're not getting a proper picture of. The movie version makes a big deal of the betrayal but in the book it's surprisingly fast and the incident is basically glossed over a rich girl who arrives for a term is convinced by Miss Brodie into going to Spain... to fight for the fascists. And then dies in a train crash before she gets there. Miss Brodie casually admits she encouraged this months later to Sandy, which leads to Sandy then saying to the headmistress that Miss Brodie is teaching fascism in class, which leads to her being fired. There's no deep explanation of her motives, no sign she particularly cares about fascism over anything else, the girl who died is barely a character again there feels like something there that I'm not quite grasping!
Like... there's definitely a lot of obvious good stuff in this book, I just felt something was flying past my head - that a decent chunk of what happened was maybe not strictly true (Sandy becoming a nun is mentioned right from the start, but then you wait the whole book for an explanation and again it sort of just... happens. And the scenes of her gripping at the bars are such strong imagery that it feels not "real" you know?) but that it was communicating something that I just never got. Which doesn't make it bad, just left me frustrated with myself for not understanding haha. It's a clever book. ( )
Recently read this funny, intelligent classic (first published in 1961). What a fun, surprising book, especially if you're reading it with a Scottish brogue as it's set in Edinburgh. ( )
In 1930s Edinburgh, Miss Jean Brodie is a school teacher, a libertine, a Muse, a monster, a fascist sympathizer, and a visionary -- at least to six students who grow up under her thumb. The Prime of Miss Jean Brodie is a tasty little truffle, although it is terribly insubstantial. ( )
She writes with cool exactness, a firm voice (each tale has its own) and compassionate wit. In her new novel (originally published last fall, in shorter form, in The New Yorker), she deals with a violent woman whose romantic spirit is impatient with all but the Absolute.
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The boys, as they talked to the girls from Marcia Blaine School, stood on the far side of their bicycles holding the handlebars, which established a protective fence of bicycle between the sexes, and the impression that at any moment, the boys were likely to be away.
Citat
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'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Trust and Beauty come first. Follow me.
"We shall discuss tomorrow night the persons who oppose me' said Miss Brodie. 'But rest assured they shall not succeed.''No,' said everyone. 'No, Of course they won't.''Not while I am in my prime. It is important to recognize the years of one's prime, always remember that,..'
Avslutande ord
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Sandy said: "There was a Miss Jean Brodie in her prime."
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1961 novel. "La Vera Miss Brodie" is not the same work as "The Prime of Miss Jean Brodie": it is an Italian article. The Prime of Miss Jean Brodie = Gli anni in fiore della signorina Brodie (or Gli anni fulgenti di miss Brodie)
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På en flickskola i mellankrigstidens Edinburgh samlar Miss Jean Brodie - en frigjord, passionerad och högst målmedveten lärarinna - en skara noggrant handplockade elever: de allra, allra bästa, hennes flickor, Brodies gäng. De mer konventionella skolämnena får ge vika för kärlek, politik och konst, och Miss Jean Brodie gör allt för att forma flickorna till starka och oberoende kvinnor. Samtidigt har hon kärleksaffärer med två av skolans manliga lärare, varav den ena är gift. »Tryggheten är inte detviktigaste«, manar hon sina elever. »Godhet, Sanning och Skönhet är det viktigaste. Följ mig.« Och det gör de. Men en av flickorna ska komma att förråda henne.I översättning av Ingeborg von Rosen och med förord av Andres Lokko.MURIEL SPARK [19182006 ] är en skotsk romanförfattare och poet vars produktiva författarskap tillhör de verkligt säregna och betydande från det brittiska 1900-talets andra hälft. Romanen Miss Jean Brodies bästa år [The Prime of Miss Jean Brodie, 1961] blev hennes stora genombrott - och är fortfarande hennes mest lästa och omtyckta bok. [Elib]
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I did feel like... there was constantly something being communicated that was eluding me. I think what came across most for the first half is the sense that Miss Brodie is rather pathetic and she's only able to impress 10 year old girls. This is such a strong impression and I feel it has to be deliberate - she's treated something like a figure of fun with her ridiculous maxims and claims that aren't borne out. Indeed, a key part of the book is that
So it makes sense that for children who don't know any different, Miss Brodie DOES make a big impression because she's letting them into "adult" things. Although at the same time it's... hard to tell what's "normal" from that time period and what's actually weird. Obviously now a school teacher having a few girls around at her flat every Saturday would be unthinkable but also apparently it's not an issue enough for the headmistress to dismiss her. It's weird how she's looking for an issue for seemingly... 7 years? And never finding one until the very end. Which again suggests that something is going on that we're not getting a proper picture of. The movie version makes a big deal of the betrayal but in the book it's surprisingly fast and the incident is basically glossed over
Like... there's definitely a lot of obvious good stuff in this book, I just felt something was flying past my head - that a decent chunk of what happened was maybe not strictly true (Sandy becoming a nun is mentioned right from the start, but then you wait the whole book for an explanation and again it sort of just... happens. And the scenes of her gripping at the bars are such strong imagery that it feels not "real" you know?) but that it was communicating something that I just never got. Which doesn't make it bad, just left me frustrated with myself for not understanding haha. It's a clever book. (