|
Laddar... Res takbjälken högt, timmermän och Seymour, en introduktion (1963)5,500 | 52 | 1,380 |
(3.99) | 1 / 79 | The last book-length work of fiction by J. D. Salinger published in his lifetime collects two novellas about "one of the liveliest, funniest, most fully realized families in all fiction" ( New York Times). These two novellas, set seventeen years apart, are both concerned with Seymour Glass--the eldest son of J. D. Salinger's fictional Glass family--as recalled by his closest brother, Buddy. "He was a great many things to a great many people while he lived, and virtually all things to his brothers and sisters in our somewhat outsized family. Surely he was all real things to us: our blue-striped unicorn, our double-lensed burning glass, our consultant genius, our portable conscience, our supercargo, and our one full poet..."… (mer) |
▾LibraryThings rekommendationer ▾Kommer du att gilla den?
Laddar...
 Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken. ▾Diskussioner ("Om"-länkar) ▾Relationer mellan serier och verk Ingår i serienIngår i förlagsserien
|
Vedertagen titel |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
|
Originaltitel |
|
Alternativa titlar |
|
Första utgivningsdatum |
|
Personer/gestalter |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
|
Viktiga platser |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
|
Viktiga händelser |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
|
Relaterade filmer |
|
Priser och utmärkelser |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
|
Motto |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. The actors by their presence always convince me, to my horror, that most of what I've written about them until now is false. It is false because I write about them with steadfast love (even now, while I write it down, this, too, becomes false) but varying ability, and this varying ability does not hit off the real actors loudly and correctly but loses itself dully in this love that will never be satisfied with the ability and therefore thinks it is protecting the actors by preventing this ability from exercising itself.  It is (to describe it figuratively) as if an author were to make a slip of the pen, and as if this clerical error became conscious of being such. Perhaps this was no error but in a far higher sense was an essential part of the whole exposition. It is, then, as if this clerical error were to revolt against the author, out of hatred for Iron, were to forbid him to correct it, and were to say, 'No, I will not be erased, I will stand as a witness against thee, that thou art a very poor writer.'  | |
|
Dedikation |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. If there is an amateur reader still left in the world - or anybody who just reads and runs - I ask him or her, with untellable affection and gratitude, to split the dedication of this book four ways with my wife and children.  | |
|
Inledande ord |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. One night some twenty years ago, during a siege of mumps in our enormous family, my youngest sister, Franny, was moved, crib and all, into the ostensibly germ-free room I shared with my eldest brother, Seymour.  At times, frankly, I find it pretty slim pickings, but at the age of forty I look on my old fair-weather friend the general reader as my last deeply contemporary confidant, and I was rather strenuously requested, long before I was out of my teens, by at once the most exciting and the least fundamentally bumptious public craftsman I've ever personally known, to try to keep a steady and sober regard for the amenities of such a relationship, be it ever so peculiar or terrible; in my case, he saw it coming on from the first.  | |
|
Citat |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. Raise high the roof beam, carpenters. Like Ares comes the bridegroom, taller far than a tall man.  | |
|
Avslutande ord |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
|
Särskiljningsnotis |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. This LT work is only for Salinger's 1963 publication of two novellas together, Raise High the Roof Beam, Carpenters and Seymour: An Introduction. LT has separate works for each novella individually, "Raise High the Roof Beam, Carpenters" (1955) and "Seymour: An Introduction" (1959). Please do not combine either individual novella with this work. Thank you.  | |
|
Förlagets redaktörer |
|
På baksidan citeras |
|
Ursprungsspråk |
|
Kanonisk DDC/MDS |
|
▾Hänvisningar Hänvisningar till detta verk hos externa resurser. Wikipedia på engelska (1)
▾Bokbeskrivningar The last book-length work of fiction by J. D. Salinger published in his lifetime collects two novellas about "one of the liveliest, funniest, most fully realized families in all fiction" (New York Times). These two novellas, set seventeen years apart, are both concerned with Seymour Glass--the eldest son of J. D. Salinger's fictional Glass family--as recalled by his closest brother, Buddy. "He was a great many things to a great many people while he lived, and virtually all things to his brothers and sisters in our somewhat outsized family. Surely he was all real things to us: our blue-striped unicorn, our double-lensed burning glass, our consultant genius, our portable conscience, our supercargo, and our one full poet..." ▾Beskrivningar från bibliotek Inga biblioteksbeskrivningar kunde hittas. ▾Beskrivningar från medlemmar på LibraryThing
|
Google Books — Laddar... Byt (1 har, 87 önskar sig)
|