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Laddar... The It Girl (2022)av Ruth Ware
![]() Det finns inga diskussioner på LibraryThing om den här boken. Well written suspense/thriller except a few glitches that is not believable, e.g. phone dialing with sound and power button. It is well played on Huge's part, but I can't believe that Hannah is so gullible. Hannah meets April, an "it" girl who seems to have it all, when they're assigned as roommates at Oxford. However, less than a year later, April is dead. Now, ten years later, Hannah is pregnant and married to Will, who happens to be April's ex-boyfriend. After the man who was convicted of the murder dies while in prison, Hannah starts to have second thoughts about his guilt, and this weighs heavily on her given the fact that it was primarily her testimony that sent him to prison. As she begins to investigate a bit on her own and revisits her collegiate circle of friends, she grows increasingly uneasy about who the murderer might actually be. This is the first Ruth Ware novel I've read that hasn't been on audio, and though I missed Imogen Church's trademark narration, I enjoyed this as much as I have her other novels, maybe even more so given the fact that it takes place in the world of academia (in Oxford, no less), and I'm always a sucker for that setting. I found the main character of Hannah not quite as unlikeable as some of Ware's other MCs, and this one kept me guessing until the end. I still have a few of this author's books in my queue that are unread, and another new one just came out earlier this month. She's an author that I continue to return to and enjoy. I've been trying to think about how to write this review and share my thoughts for a little while and what it comes to is that it disappointed me with this story. It had its positives and all, but overall, it was a letdown. This was a very hyped-up book and I'm not sure why. This story is about Hannah and Will, who are married and expecting their first baby. They have had to build a life and recover from 10 years earlier when Hannah found her friend/roommate murdered one night and this story is told from two different timelines. One timeline is from a decade ago when Hannah was living the events that lead up to finding April, her roommate, strangled, and the other is the present timeline. Hannah finds herself lead to uncover the answers to what really happened and who killed April 10 years ago and in the process finds out secrets being kept by others around her and puts herself, her baby, her husband, her marriage all in danger as she pushes to find and uncover the truth. As I mentioned previously, this was an extremely hyped-up book and I felt that it didn't live. up to that hype. The first half or so of this book was a bit long, slow moving and hard for me to get through to get to the good part and finish the story. If you like Ruth Ware or can push through the slow parts then you'll probably enjoy this one more than I did. This one, I think, was just not for me. Thanks so much to NetGalley and Gallery Books/Gallery/Scout Press for letting me read and review this book. All thoughts and opinions are my own. While this was not my favorite Ruth Ware title, I devoured this book and found myself pleasantly surprised that I could not guess the outcome. For starters, the fact that this takes place against the backdrop of Oxford. Totally got a Hogwarts vibe. Closest I will probably ever come to that region of the world. At least going to school there. LOLOL I loved Hannah. I related to her. A woman pregnant with her first child. She works in a bookstore. (Library/Bookstore kind of similar). I felt her love for her husband, Will. And the pain she had over her roommate and friend's murder. I can see how the pain of it just lasts and lingers. Something that drastic would HAUNT me. As one might expect from the genre, I knew that initial people being framed for the murder were not the villain. But I liked the outcome. The villain actually made sense. The "why" I wish we hadn't rushed through in the final six pages. We could have explored it more thoroughly. Or actually been part of the villain's confession. It was an opportunity and it was missed in my opinion. While I was a little bummed by a few things, I never wanted to stop reading it. But is it nitty gritty suspense? No, not as much as others in this genre. I'd almost call this more "hi-brow" suspense ;)
The It Girl is told in two timelines, Before and After. In the Before storyline, freshman Hannah arrives from her state school, and finds Oxford full of freshman who were all the top of their year. Which, you know, is exactly what happens when you go from a state school to Oxbridge. Anyway. Fortunately, Hannah’s assigned a room in a set, two bedrooms with a shared common room, with beautiful, wealthy party girl April Clarke-Cliveden. Hannah is pulled into April’s circle, and they’re basically always drinking champagne and having wild times, when they’re not heads-down studying. It is Oxford, after all. Sure, April’s pulled some pranks on the others, and some of the pranks haven’t been completely fun for the victim, but it’s all part of the Oxford hijinks! Some of the pranks, comments and general attitude from April got so mean that I wasn’t fully sure why Hannah wanted to be her friend, but then, on the next page or the next paragraph, the champagne and fun was back on. Priser
"April Clarke-Cliveden was the first person Hannah Jones met at Oxford. Together, they cultivated a group of inseparable friends during their first term. By the end of the second, April was dead. Now, a decade later, Hannah is expecting her first child, and the man convicted of killing April, former Oxford porter John Neville, has died in prison. Relieved to have finally put the past behind her, Hannah's world is rocked when a journalist presents new evidence that Neville may have been innocent. As Hannah reconnects with old friends and delves deeper into the mystery of April's death, she realizes that the friends she thought she knew all have something to hide... including a murder"-- Inga biblioteksbeskrivningar kunde hittas. |
Populära omslag
![]() GenrerMelvil Decimal System (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-Klassifikation enligt LCBetygMedelbetyg:![]()
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A new term has begun at Oxford University. The students come from different backgrounds. Some are completely shocked to find themselves there; some think they are lucky to be there; some think it is their due to be there. Some are accepted because of their wealth and influence; some are the brightest and the best, but all hope to spend the next three years there, in this hallowed, revered space.
As six of the new students arrive at Oxford University’s Pelham College, circumstances throw them together. In the dining hall, they banter with each other and begin to bond. Some had known each other in the past, some were so surprised to find themselves there, they seemed to be in a state of silent shock, but still, their excitement propelled them forward and into their futures.
First, we have Hannah Jones. She does not seem to be the typical student. She is rather overwhelmed with her good fortune. She is grateful and honored to be in this esteemed environment with the others she is meeting. However, she is very naïve, sometimes seems very immature, and often makes foolish choices, never seeming to learn from her mistakes, always second guessing her choices after she has made them, and is always making herself the main attraction so that she stubbornly brings on her own discomfort. She is sometimes a character that is not easy for the reader to like, since her personality can be annoying. She has been assigned to share a two-bedroom, with living room, set in New Quad, with April Clarke-Cliveden. Most of the other students are in The Cloisters, in single rooms, so she is very lucky to have this accommodation.
April is an incredibly wealthy student who takes her presence at Oxford for granted. She has an easy-going demeanor, accepting everything that comes her way no matter how it happens. She has a servant unpacking her clothes from magnificent suitcases and trunks. She has defied the rules by bringing furniture to personalize her room to make it feel a bit luxurious, and she has assigned herself the largest bedroom, because, after all, she got their first. She believes rules are made to be broken. April and Hannah could not be more different, and yet, they grew to like each other and became best friends. Still, even their names practically acknowledged their different backgrounds. Jones vs Clarke-Cliveden almost seems to scream the class divide. April has taken over the set; she is confidently lying on the couch and welcomes Hannah casually when she enters, as if she, April, has always been there. Although April is self-confident and kind of charming in her own way, she can also be cruel. She likes to play jokes on people and her pranks are often very hurtful. What is April’s hold on people? Is it her charm, her wealth, or something else?
Will de Chastaigne is April’s boyfriend. They were in the same school before. He is comfortable at Oxford, accepting his right to be there. He is handsome, seems thoughtful and considerate, and is easy to get to know. Hannah is immediately attracted to him, and somehow, he is also attracted to her. That makes for an awkward situation, since he is her roommate’s boyfriend. They do not develop a relationship in school, although others notice how they seem to react in each other’s presence. Does April notice?
Hugh is Will’s best friend. They seem to be polar opposites, as well. Hugh is so happy to be at Oxford but seems terribly afraid that he will not make it and will disappoint his parents who have placed all their hopes and dreams in him and have worked hard to be able to afford to send him there. He is soft-spoken and agreeable. At Oxford, he becomes a good friend to Hannah.
Emily is a brilliant, brash and outspoken young woman. She says what is on her mind at all times, sometimes making the situation uncomfortable. She meets her match in Ryan, and they pair off. Ryan seems very self-confident too, secure in his place there, but Ryan is not as faithful as he should be. Does Emily know or care? He is almost too self-confident; she is almost too cavalier.
As these six students, from diverse backgrounds, with varied interests and unique personalities begin to explore their new lives on very unequal footing, they somehow all enjoy being together. As their friendship grows, it deepens and thrives.
Another character is Hannah’s English tutor. He lives in New Quad, as well and often meets with the students to go over what he has previously taught them. He also invites many of the students, especially the females, to get-togethers in his rooms. It is convenient for Hannah, who lives in the same building. April also tags along uninvited. It is April’s way. She seems to be able to do as she pleases and gets away with her outrageous behavior. Horatio Myers is a bit arrogant and pompous, impressed with his own stature and position. He does not mind April’s presence at all.
There is one thorn in the basket for Hannah. There is a porter on staff who brings them their mail, secures the campus at night and basically serves the needs of the students. This porter immediately made Hannah uncomfortable. His manner and appearance frightened her. He seemed odd, ungainly and often made inappropriate comments or bent the rules, appearing in places he had no business to be, like her room, delivering a package instead of waiting to give it to her in the Porter’s Lodge. His name is John Neville; he will have an unfortunate influence on her life, and his own. Will it be through any fault of his own, or will it be due to circumstances beyond his control?
Hannah and April lived in a separate building from the others. The others lived in the regular housing known as the Cloisters, in their own small, but private, single rooms. Toward the end of the second semester, April was appearing in a theater production. Hugh, Hannah and Ryan attend it, with Hannah actually arranging a party in her honor for later that night. Will was out of town and Emily had way too much work to attend it. April, however, was quite good in her role. Because of Hannah’s fear of bumping into the porter John Neville, Hugh walked her back to her room. What happened when she returned to her room would alter the trajectory of her dreams and her life.
April’s testimony at the murder trial was instrumental in putting John Neville in prison, where he would be until his death. Hugh also testified, since he was a witness to the events that played out shortly after she arrived back at New Quad. Were her assumptions about what she saw that night accurate, or had she condemned an innocent man to prison, while the actual murderer walked free. For ten long years, she had not allowed herself to be interviewed, or to read anything about the trial and its aftermath. Then, suddenly, when Neville dies in prison, her conscience reawakened, and she began to second-guess her testimony. She became determined to investigate, against everyone’s objections, which was often her way. However, now married and pregnant, it would not be as easy as it seemed. Still, since her memory of most of that night was blank from the shock of it, she began to question her friends to fill her in with theirs.
How have their lives played out? Who has stayed in touch? Who is successful and who has failed? All of them have moved on in different ways. As she opens the can of worms, she begins to wonder if she has made a mistake now, too, trying to relive the experience. That is Hannah’s fatal flaw. She is always wondering about what she has done, making herself irritating and not quite believable as the naivete she seems to be. How does real life alter what they thought was their destiny. Will they remain good friends or drift apart?
The title of the book is “The It Girl”. Although I thought of Hannah as the main character, April is the driving force behind everything that happens. Who do you think is the real “it” girl, and why? Who is the real murderer, Neville or someone else? Could it be one of the friends? As the plot thickens and moves along, it really gets tense. Ruth Ware knows how to put you on the edge of your seat, and although this book is not rocket-science, it is easy to read and will hold your attention for most of it, even if it sometimes seems contrived and is not always quite believable. In the end, all of the threads are knitted together. (