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Dracula (Norton Critical Editions) av Bram…
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Dracula (Norton Critical Editions) (utgåvan 1996)

av Bram Stoker (Författare)

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
4,3181222,058 (3.83)1
A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijsktra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.… (mer)
Medlem:mollymcbel1
Titel:Dracula (Norton Critical Editions)
Författare:Bram Stoker (Författare)
Info:W. W. Norton & Company (1996), Edition: 1st, 512 pages
Samlingar:Ditt bibliotek
Betyg:
Taggar:Ingen/inga

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Dracula [Norton Critical Edition] av Bram Stoker

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» Se även 1 omnämnande

engelska (121)  spanska (1)  Alla språk (122)
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I read this for the first time about 5 years ago and now I had to read it again for school and I loved it just as much as I did the first time. I certainly still had some problems and the ending was still a little disappointing but I was definitely happy to have read this one again. ( )
  AKBouterse | Oct 14, 2021 |
This is a must read for any of the vampire fans. The classic story of Dracula told as an epistolary novel. A collection of letters, telegrams and realistic documents from a different characters and their point of view.
Dracula's curse and eternal love traps innocent characters in a battle against evil.
The mood, the world and the characters created around the fantastical characters are built in a very credible and visually artistic way.
It's a very beautiful and sad love story and an amazing villain. ( )
  Waleni | Oct 10, 2021 |
The beginning section Jonathan harker's journal, is really quite atmospheric and creepy. The ending was pretty exciting. In the middle there is a LOT of talk. Talk talk talk talk talk. There is almost no character development at all, except that all the characters (except the Count of course)are 100% selfless, brave, kind, and good. Among 19th century vampire tales, La Fanu's far less well-known "Carmilla" is better (not to mention, a couple of decades earlier). ( )
  usuallee | Oct 7, 2021 |
Clásico, el estilo de escribir de Stoker es único. ( )
  Saraiest | Sep 17, 2021 |
Intriguing but frustrating

A beautiful start, atmospheric and gonzo in that lovely way that gothic fiction can be. But the novel circled repetitively in places, the pacing felt off (especially in later sections) and the ending was curiously flat. I did really enjoy Dracula himself and Mina Harker, though I almost wish it had stopped after Jonathan Harker's bit at the start and just been a short story. Or perhaps been a collection of tales about him. Is that an unpopular Dracula opinion? I really don't know. ( )
  Sunyidean | Sep 7, 2021 |
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» Lägg till fler författare (1 möjlig)

Författarens namnRollTyp av författareVerk?Status
Bram Stokerprimär författarealla utgåvorberäknat
Auerbach, NinaRedaktörhuvudförfattarealla utgåvorbekräftat
Skal, David J.Redaktörhuvudförfattarealla utgåvorbekräftat

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Do Not Combine: This is a "Norton Critical Edition", it is a unique work with significant added material, including essays and background materials. Do not combine with other editions of the work. Please maintain the phrase "Norton Critical Edition" in the Canonical Title and Publisher Series fields.
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A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijsktra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.

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