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Zulu pastor Stephen Kumalo travels to Johannesburg on an errand for a friend and to visit his son, Absalom, only to learn Absalom has been accused of murdering white city engineer and social activist Arthur Jarvis and stands very little chance of receiving mercy.
This story was written in 1946 by White South African author Alan Paton, and published in 1948 on the eve of the creation Apartheid in South Africa. It is a classic work of protest literature, focussing on the evils of racism, exploitation and colonialism. Paton later started the Liberal Party in South Africa which opposed apartheid. This book was first published in the US as it was unlikely to be published in South Africa at the time.
The story takes us to the village of Ndotsheni in Natal, where Stephen Kumalo, a Zulu minister, is called to go to Johannesburg to see his sister who is ill. Sadly he finds she has become involved in selling liquor and prostitution. He then seeks to find his son Absalom who he eventually discovers in jail having shot and killed a white man. Despite the heartbreak Kumalo must find a way to go on, to fight for the plight of his people and his village.
The book moves between the gentle conversations of Kumalo and some paragraphs questioning where South Africa is headed and the tyranny of the oppression of black people in mines, in the villages and the squatter camps of the metropolis.
This was a moving story, well-written and impacting. The tone is mildly patronising at points, which doesn’t surprise me given it was written nearly eighty years ago, but Paton takes on the important role of becoming a whistleblower on an international level, revealing what was going on in South Africa. You can sense his passion for the country and the vehemence of his beliefs about the evils of racial segregation and exploitation. This is an important work cutting to the heart of a great tragedy. ( )
Another historical fiction that was probably just contemporary fiction at the time (published 1947, and I think the year is mentioned as 1946 at some point in the novel?), and my second book extra credit for Feb/March for Biere Library book club! I actually never read this in high school, so this was my first time through and I can see why: goes over a historical period, compelling conflicting points of view, and some lyrical writing. Also, another accidental foray into another piece of media thinking about fatherhood as Stephen Kumalo and Jarvis consider the incident between their sons.
I did audiobook due to infant wrangling in this season, and while I really did like Michael York's narration, the Zulu and Afrikaans words really should be read (physical editions also have glossaries, I'm told) as I spent the first third thinking Kumalo's home village was "Indochine" and wondered at the global nature of place names. ( )
Beautiful. Also relevant. There are things about 1948 South Africa that ring true here, today. So much fear. This is a sad book, for sure, but also lovely. ( )
Information från den engelska sidan med allmänna fakta.Redigera om du vill anpassa till ditt språk.
To Aubrey & Marigold Burns of Fairfax, California
To my wife and to my friend of many years JAN HENDRIK HOFMEYR
Inledande ord
Information från den engelska sidan med allmänna fakta.Redigera om du vill anpassa till ditt språk.
There is a lovely road that runs from Ixopo into the hills.
Citat
Information från den engelska sidan med allmänna fakta.Redigera om du vill anpassa till ditt språk.
It is not permissible to add to one's possessions if these things can only be done at the cost of other men. Such development has only one true name, and that is exploitation.
Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or a valley. For fear will rob him of all if he gives too much.
Cry for the broken tribe, for the law and the custom that is gone. Aye, and cry aloud for the man who is dead, for the woman and children bereaved. Cry, the beloved country, these things are not yet at an end.
All roads lead to Johannesburg.
When people go to Johannesburg, they do not come back.
I see only one hope for our country, and that is when white men and black men, desiring neither power nor money, but desiring only the good of their country, come together to work for it.
The tragedy is not that things are broken. The tragedy is that things are not mended again.
Avslutande ord
Information från den engelska sidan med allmänna fakta.Redigera om du vill anpassa till ditt språk.
But when that dawn will come, of our emancipation, from the fear of bondage and the bondage of fear, why, that is a secret.
Zulu pastor Stephen Kumalo travels to Johannesburg on an errand for a friend and to visit his son, Absalom, only to learn Absalom has been accused of murdering white city engineer and social activist Arthur Jarvis and stands very little chance of receiving mercy.
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This story was written in 1946 by White South African author Alan Paton, and published in 1948 on the eve of the creation Apartheid in South Africa. It is a classic work of protest literature, focussing on the evils of racism, exploitation and colonialism. Paton later started the Liberal Party in South Africa which opposed apartheid. This book was first published in the US as it was unlikely to be published in South Africa at the time.
The story takes us to the village of Ndotsheni in Natal, where Stephen Kumalo, a Zulu minister, is called to go to Johannesburg to see his sister who is ill. Sadly he finds she has become involved in selling liquor and prostitution. He then seeks to find his son Absalom who he eventually discovers in jail having shot and killed a white man. Despite the heartbreak Kumalo must find a way to go on, to fight for the plight of his people and his village.
The book moves between the gentle conversations of Kumalo and some paragraphs questioning where South Africa is headed and the tyranny of the oppression of black people in mines, in the villages and the squatter camps of the metropolis.
This was a moving story, well-written and impacting. The tone is mildly patronising at points, which doesn’t surprise me given it was written nearly eighty years ago, but Paton takes on the important role of becoming a whistleblower on an international level, revealing what was going on in South Africa. You can sense his passion for the country and the vehemence of his beliefs about the evils of racial segregation and exploitation. This is an important work cutting to the heart of a great tragedy. (