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Works for Children and Young Adults: Poetry, Fiction, and Other Writing (Collected Works of Langston Hughes, Volume 11)

av Dianne Johnson, Langston Hughes

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Throughout his long career as a poet, fiction writer, and chronicler of the situation of blacks throughout the world, Langston Hughes also wrote books for children. Whether fiction, poetry, or nonfiction, these works are true literature into which he put much research, thought, creative energy, and love. His young readers then and now can sense that they are just as important as his adult audience, while adult readers can appreciate the skill of a great writer able to speak to readers of all ages. Beginning with four pieces Hughes published in The Brownies' Book, a magazine for black children edited by W. E. B. Du Bois and Jessie Fauset, this volume also includes two works first published in 1932: Popo and Fifina, a story of two children living in Haiti, which Hughes wrote with Arna Bontemps, and The Dream Keeper and Other Poems, a collection Hughes chose explicitly for young people. In The First Book of Negroes, The First Book of Rhythms, The First Book of Jazz, The First Book of the West Indies, and The First Book of Africa, all originally published between 1952 and 1960, Hughes hits just the right tone, presenting the history of Africans throughout the world without being condescending or simplistic. It is clear that, for Hughes, Africans and African cultures contribute to a world culture and a world community. Also included in this essential volume are a number of uncollected poems for children; the captions Hughes wrote for Black Misery, which he completed just before his death in 1967; as well as several books published posthumously, The Sweet and Sour Animal Book and The Pasteboard Bandit, the latter also written with Arna Bontemps. Hughes's books for children remain entertaining, moving, beautiful, and relevant. For scholars of African American literature and history and for readers of all ages, these are works to be enjoyed and to be taken seriously.… (mer)
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Grandpa's Stories

The pictures on the television
Do not make me dream as well
As the stories without pictures
Grandpa knows how to tell

Even if he does not know
What makes a Spaceman go,
Grandpa says back in his time
Hamburgers only cost a dime,
Ice cream cones a nickel,
And a penny for a pickle.

This poem really illustrates the power of words and how the best stories don't always have to be about fantastical out of this world things. Sometimes the stories that truly reach us are about the simple, everyday things that happened to the ones we love. The poem also tries to show that your own imagination is more powerful and interesting than anything you'll find on television. A good story benefits from our own interpretation and becomes a part of us after hearing it. The stories of the speaker's grandfather and his history become more a part of him with every story he hears; just like all of us, with anyone we hear stories from. ( )
  brandonachey | Sep 23, 2012 |
An excellent book for children or grown-ups! Hughes truly had a gift for writing for children. He always seems to strike just the right, respectful, accessible tone that I think children must appreciate. This is a fabulous collection that provides a variety of selections for children, from history to poetry to short stories. ( )
  eslee | Feb 7, 2007 |
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Dianne Johnsonprimär författarealla utgåvorberäknat
Hughes, Langstonhuvudförfattarealla utgåvorbekräftat
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Throughout his long career as a poet, fiction writer, and chronicler of the situation of blacks throughout the world, Langston Hughes also wrote books for children. Whether fiction, poetry, or nonfiction, these works are true literature into which he put much research, thought, creative energy, and love. His young readers then and now can sense that they are just as important as his adult audience, while adult readers can appreciate the skill of a great writer able to speak to readers of all ages. Beginning with four pieces Hughes published in The Brownies' Book, a magazine for black children edited by W. E. B. Du Bois and Jessie Fauset, this volume also includes two works first published in 1932: Popo and Fifina, a story of two children living in Haiti, which Hughes wrote with Arna Bontemps, and The Dream Keeper and Other Poems, a collection Hughes chose explicitly for young people. In The First Book of Negroes, The First Book of Rhythms, The First Book of Jazz, The First Book of the West Indies, and The First Book of Africa, all originally published between 1952 and 1960, Hughes hits just the right tone, presenting the history of Africans throughout the world without being condescending or simplistic. It is clear that, for Hughes, Africans and African cultures contribute to a world culture and a world community. Also included in this essential volume are a number of uncollected poems for children; the captions Hughes wrote for Black Misery, which he completed just before his death in 1967; as well as several books published posthumously, The Sweet and Sour Animal Book and The Pasteboard Bandit, the latter also written with Arna Bontemps. Hughes's books for children remain entertaining, moving, beautiful, and relevant. For scholars of African American literature and history and for readers of all ages, these are works to be enjoyed and to be taken seriously.

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