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Laddar... Painting with Light (1949)163 | Ingen/inga | 167,288 |
(4.05) | Ingen/inga | Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, and long out of print since then, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivalled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction, written especially for this edition, provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography.… (mer) |
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Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
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Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. Life is short, but long enough to get what's coming to you. - The Author | |
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Dedikation |
Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. To my dear wife Rozalia whose infinite patience and encouragement made this book possible. | |
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Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. "Black and white are colors," John Alton has stated, and no cinematographer in film history has more deeply explored the value of those colors, or the nature of the violent contrast between, than has John Alton. | |
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Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
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Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. Do not know if this should be combined with original edition, as there are 40 pages of substantial additional material - a complete biography and filmography of John Alton. | |
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Information från den engelska sidan med allmänna fakta. Redigera om du vill anpassa till ditt språk. | |
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▾Hänvisningar Hänvisningar till detta verk hos externa resurser. Wikipedia på engelska (2)▾Bokbeskrivningar Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, and long out of print since then, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivalled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction, written especially for this edition, provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography. ▾Beskrivningar från bibliotek Inga biblioteksbeskrivningar kunde hittas. ▾Beskrivningar från medlemmar på LibraryThing
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