Set in Ireland, the Rolleston family’s large estate, Carriglas, is located on an island off the coast of county Cork. The characters are the Rolleston family members, their household staff, a few visitors, and several townspeople. It has a strong sense of place. There is a family secret, but I would not call it a typical mystery. The storyline is influenced by the Troubles in a variety of ways, including the past murder of the family’s butler. Decades later, a distant relative comes back to the now run-down estate and recalls memories of her childhood visit in 1904. I enjoyed the writing style and the characterization but there is not much resolution to be found. It is a little too nebulous for me (and I am pretty comfortable with ambiguity). ( )

”But, my dear girl, we can all do perfectly well without happiness,...The other side of the coin, my dear, is that no one can do without love. It is the greatest of all deprivations not to know love in some wise, either to give or to receive. It hardly matters which.”

Our story begins on an island in Ireland, with World War I dancing on the horizon, when Sarah Pollexfen, a distant relative of the Rollestons, comes to the estate of Carriglas to serve as governess to the youngest child. There is a magical summer and then she leaves to nurse her ailing father. The story continues some twelve to fifteen years later, when she returns to Carriglas after her father’s death.

Carriglas is decaying, even at the beginning of this story it is losing ground, figuratively and literally. The family who owns the estate is crumbling as well, but throughout the novella we never quite know why. What we do glean, almost immediately, is that it has something to do with the murder of their butler, who has left behind an illegitimate son. For me, it was this boy, Tom, who gave the story emotional pull.

This is Ireland, and there is the usual Irish question of Catholicism vs. Protestantism. The religious figures pictured here are sometimes unforgiving and malicious, and the mistreatment of the illegitimate boy tugged at my heart. In fairness there is also a priest who seems to me to be the picture of what a priest should be.

While this story and situation may be uniquely Irish, the tragedy at the heart of this book is completely universal. It is rooted in what it is to be a human being who has been denigrated and what it is to be a part of a class that stands apart, and purportedly above, another. Trevor writes with such preciseness and detail that he gives you a true sense of the people and the places, and the sadness that so often haunts a life.
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The Carriglas estate on an island off the coast of County Cork, Ireland is in steady decline, reflecting the state of the Rolleson family, owners of Carriglas. In short, the estate eventually passes on to Tom, the illegitimate son of a kitchen worker. His father was a butler killed during the troubles.

William Trevor depicts the family members through the generations with just enough detail to establish their character as a person. There’s depth and layers of history to the story, with strong characters, intricate but clear plotting, and pitch-perfect dialogue. One of Trevor’s best novels. ( )

The Silence in the Garden offers further proof that William Trevor never wrote a sentence undeserving of praise. This gently persuasive novel from 1988 chronicles the slow demise of the Rolleston clan of Carriglas, an estate situated on a small island off the coast of County Cork. The Rollestons have seen their ranks thinned by misfortune—Colonel Rolleston’s wife died giving birth—when poor relation Sarah Pollexfen arrives in 1908 to take up duties as unofficial governess and companion to the child Villana and her two older brothers, Lionel and John James. Sarah approaches Carriglas as the enchanted place of her childhood memories. However, nothing could be further from the truth: though the outward trappings of prosperity are visible, the property and family are already in decline. Years pass, the children grow up, and Sarah returns to England to tend to her father, a clergyman. Following the death of her father in 1931, Sarah returns to Carriglas at the behest of the Colonel’s now elderly mother. The intervening years have taken a toll. The Colonel was killed in the Great War. Ireland’s troubles are in full swing, and the family has suffered first-hand from the violence with the murder of their butler, Linchy. Each of the Rolleston children has followed a peculiar path: the pragmatic Lionel is a loner who devotes himself to farm work, John James has lost himself in an erotic liaison with an alcoholic boarding house proprietor, and Villana has raised eyebrows by agreeing to marry a fussy, etiolated accountant many years older than her. The story comes to us via numerous perspectives and narrative voices, each one sympathetic and drawn with uncanny precision. Chief among these is Tom, the illegitimate son of the kitchen maid (later Chief Cook) Brigid and the dead butler Linchy. Tom’s outsider perspective is crucial to our understanding of the Rollistons and their waning fortunes, and to life on the island and the nearby town. Many more years pass, the Rollistons have all left the scene—Villana, Lionel and John James have failed to produce a further generation—and the only people living in the house at Carriglas are Tom, the maid Patty, and Sarah, whose death in 1971 sets the story into motion with the discovery of her diaries. The novel has a melancholy, wistfully nostalgic atmosphere. The Rolliston’s story is primarily one of loss, lucklessness and poor choices made for obscure reasons. But there are also many instances of profoundly bittersweet human comedy. Trevor was never a flashy writer. But his ability to burrow under the skin of his characters and sketch their lives, loves and motivations in a few lines of elegant prose is nothing short of astounding. ( )

See http://familyhistorian.blogspot.com/2008/07/irish-literature-silence-in-garden-b... ( )