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Laddar... Humbug [2-volume set] (2009)av Harvey Kurtzman
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Harvey Kurtzman changed the face of American humor when he created thelegendary MAD comic. As editor and chief writer from its inception in1952, through its transformation into a slick magazine, and until he leftMAD in 1956, he influenced an entire generation of cartoonists,comedians, and filmmakers. In 1962, he co-created the long-running LittleAnnie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in1988. Inga biblioteksbeskrivningar kunde hittas. |
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Following the 1956 departure from his seminal creation Mad, editor Harvey Kurtzman developed the slick, full-color parody magazine Trump for Playboy publisher Hugh Hefner. Though the initial two issues, featuring contributors and sensibilities similar to Mad’s, sold well, Hefner canceled the series, citing financial limitations. Soon after, Kurtzman and five of his Trump cohorts — Jack Davis, [a:Will Elder|24493|Will Elder|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg], [a:Al Jaffee|2630|Al Jaffee|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg], [a:Arnold Roth|533830|Arnold Roth|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg], and production man Harry Chester — formed a cooperative to publish the humorous Humbug. Although they produced only 11 monthly issues, from August 1957 through August 1958, the magazine paved the way for the general newsstand acceptance of National Lampoon and Spy. Never before reprinted, Fantagraphics recently collected Humbug, complete with new essays, interviews, and annotations, in two handsome hardback volumes.
Inspired by the French magazine Le Charivari and its descendant, the British weekly Punch, Humbug contained parodies (a la Mad), faux ads, and satirical prose sending up various aspects of the media, politics, and sports. Each issue featured the artistic talents of Davis, Elder, Jaffee, Roth, and the occasional guests, such as war-comics illustrator Russ Heath, New Yorker cartoonist R. O. Blechman, and Mad alum [a:Wally Wood|80540|Wally Wood|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]. Contributing writers included Larry Siegel (Carol Burnett Show, Laugh-In), screenwriter Ken Englund, and novelist and playwright [a:Ira Wallach|1761940|Ira Wallach|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg].
Jack Davis and Will Elder skewered late-’50s movies, films, and sports. Their individual lampooning of the controversial [a:Tennessee Williams|7751|Tennessee Williams|http://photo.goodreads.com/authors/1206504901p2/7751.jpg] film Baby-Doll, the game show Twenty-one — months before the infamous Van Doren scandal — Mike Todd’s cameo-laden Around the World In 80 Days, the classic TV western Have Gun Will Travel, Flash Gordon, Jailhouse Rock, Frankenstein, Tarzan, baseball, basketball, and auto racing elevated the comic-book parody beyond the standards of Mad and Trump. For Humbug, Davis produced some of the best work of his long career.
Al Jaffee, creator of the famed Mad fold-ins, laughed at the cultural icons and artifacts of the period. In issue one, Jaffee’s amazingly detailed flattened Corn Flake (sic) box as a “medium of communication” created a stir with the nearly microscopic accurate reprinting of the urinating-on-a-house-fire scene from Gulliver’s Travels. (Most likely to silence those who doubted the scene’s veracity, Kurtzman printed it — at standard size — in the series’ final issue.) Cut out, the Corn Flake layout itself folded into a working box. In later issues, Jaffee tackled varied topics — highways, health care, advertising, weddings — all with equal skill and irreverence.
Roth’s contributions overlapped the others, but generally focused more on the politics of the period. For the initial issue, he rendered the first Humbug Award, a regular curmudgeon’s pinup of controversial figures including Teamster’s president Dave Beck, disgraced 1957 Miss USA Leona Gage, segregationist Arkansas Governor Orval Faubus, Mike Wallace, and Santa Claus.
Humbug also published prose pieces mocking the then-contemporary and classic literature throughout its run, of which the hilarious “A Candid View Of Wm. Shakespeare at Work,” “Something of Mau Mau,” “Marjorie Morningsun,” and “Pagan Place” are highlights.
Editor Kurtzman welcomed letters and devoted one to two pages each issue to the missives, complete with his often witty rejoinders.
For the attractive slip-case-covered reprint, Fantagraphics wisely includes several insightful and interesting extras. The introduction establishes the proper context and historical background for the key players and the publication. A fascinating Kurtzman oeuvre rounds out the introduction. An interview with Roth and Jaffee offers an insider’s account of Humbug’s creation and inner workings. The playful banter between the artists, who clearly like and respect one another, and the inclusion of rare photographs of the entire staff enhances the interchange.
Most importantly, scholar John Benson annotates all 11 issues. In the ensuing 50 years, several of the pop-culture and political references have faded into obscurity. In perhaps the only deficit in an otherwise magnificent two-volume set, all the annotations are included at the end of Book Two. Splitting the notes between the two, placing the revealing backstory closer to the facts in question, would have better served the reader.
This review originally appeared in San Antonio Current May 13, 2009.
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