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Laddar... Staden & staden (2009)av China Miéville
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![]() ![]() Intriguing plot whose sci-fi setting is revealed slowly and organically, with no thudding exposition. The writing sometimes gets a little dry in parts, but the tone reminded me, in a good way, of The Spy Who Came in From the Cold -- you at first feel like you're being held at an arm's length from the main character (despite the narration in this case being first-person), yet somehow you find yourself deeply invested in their quest. Maybe it's the coincidence of current events while I read it, but it feels like a parable for Israel/Palestine. I just love a book in which the writer takes a fairly simple idea entirely too far. At times I asked myself if the commentary on real split cities (Jerusalem, Budapest, [Berlin]) and the absurdity of their existence by Miéville was real or imagined by me. It didn't seem like he wanted to make a strong statement there, but I can hardly imagine that there was no criticism at all. All in all, I loved the ideas and wordplay but I could not get myself to really care about the murder-story and while the ending was in no way badly conceived, it did feel like a letdown. Interesting plot and fascinating premise, though the writing was a bit hard sometimes due to some extremely bizarre and random grammatical errors. The foundational idea of the book--how two bordering city-states co-exist in a state of recognition/non-recognition resonates so powerfully with a number of geo-political hot spots from Yugoslavia to Palestine and Israel. For most of the book I was convinced it was a commentary on the latter, but by the end it seemed a more generalized statement.
Subtly, almost casually, Miéville constructs a metaphor for modern life in which our habits of "unseeing" allow us to ignore that which does not directly affect our familiar lives. Yet he doesn't encourage us to understand his novel as a parable, rather as a police mystery dealing with extraordinary circumstances. The book is a fine, page-turning murder investigation in the tradition of Philip K Dick, gradually opening up to become something bigger and more significant than we originally suspected. Readers should shed their preconceptions and treat themselves to a highly original and gripping experience.The City & The City is still Urban Fantasy, yes, but don't look for elves on motorcycles or spell-casting cops. China Miéville has done something very different, new, and — oh yeah — weird. The novel works best when Miéville trusts his storytelling instincts. I was immediately entranced by the premise of doppel cities and didn't need it explained at every turn. At times, I appreciated the intellectual brilliance of "The City" more than I lost myself in it. Borlú seemed an archetype more than a fleshed-out character. That's OK. The real protagonists here are the mirror cities themselves, and the strange inner workings that make them, and their residents, tick. Miéville’s achievement is at once remarkable and subtle. His overlapping cities take in an aspect of our own world—social conventions—wholesale. But by describing those conventions using conceptual tools borrowed from traditional “worldbuilding” fantasy, he heightens awareness of the unnoticed in our own lives. He doesn’t give us symbols. He gives us real life rendered with all the more clarity for its apparent weirdness. Ingår i förlagsserienBastei Science Fiction-Special (24393)
Fantas
Fictio
Literatur
Myster
HTML: NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES, THE SEATTLE TIMES, AND PUBLISHERS WEEKLY. Inga biblioteksbeskrivningar kunde hittas. |
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![]() GenrerMelvil Decimal System (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999Klassifikation enligt LCBetygMedelbetyg:![]()
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