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Laddar... Lullabies for Little Criminals (2006)av Heather O'Neill
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I liked it far more than the other book of hers I've read, The Lonely Hearts Hotel. That book, while I found it far more entertaining than I expected from the title, felt like it was trying a tad too hard to be all tragic and precocious and meaningful. Lullabies, on the other hand, still manages to be very thoughtful and sappy, but believably so. It stays grounded in something that, at least for someone who has never been to late-20th-century Canada nor grown up in poverty, seems realistic enough. I also really dug the short essay(s) in the back, about the author's childhood and the writing of the book. A lot more interesting than the average "about the author" tidbits one finds at the end of a novel. Heartbreaking and funny and sometimes so painful to read that I’d have to set it aside for days because I just couldn’t bear what was surely going to happen next. I loved this book so much I couldn't put it down. I alternated between laughing and crying at all the sorrow and beauty through Baby's eyes.
Lullabies for Little Criminals is a brilliant portrayal of troubled adolescence, but not a good choice for bedtime reading. Montreal writer Heather O'Neill's first novel takes her narrator, Baby, through ages 12 and 13, difficult years to remember for many of us, let alone to describe in such pristine detail.....O'Neill manages to portray the dual tragedy of drug abuse and child prostitution without moralizing or being exploitative. Her narrative voice is occasionally endowed with more mature perception, but remains consistently in character: It's intriguing to ponder why Heather O'Neill, the author of this prize-winning debut novel, did not write a misery memoir. In an essay, she suggests that much of the material for her narrator, Baby (who is being raised by Jules, her heroin-addicted father, in Montreal's red-light district), came from her own experiences......O'Neill's novel builds to a riveting climax, where her narrator's life and sanity seem to hang in the balance. ....This is a deeply moving and troubling novel exploring the dark side of urban Canada, where, all too easily, children are still left to struggle against impossible odds. Baby’s story, episodic in form, unfurls in the arbitrary, unscripted manner of “real life,” with none of the archetypal, cut-and-dried bad guys you might expect from an account so steeped in street-kid tragedy. Jules can be a neglectful creep, and Alphonse, Baby’s abusive boyfriend, has his genuinely sympathetic (and pathetic) moments as a character. ...This is a nuanced, endearing coming-of-age novel you won’t want to miss. PriserUppmärksammade listor
"Baby is twelve years old. Her mother died not long after she was born and she lives in a string of seedy flats in Montreal's red light district with her father Jules, who takes better care of his heroin addiction than he does of his daughter. Jules is an intermittent presence and a constant source of chaos in Baby's life - the turmoil he brings with him and the wreckage he leaves in his wake. Baby finds herself constantly re-adjusting to new situations, new foster homes, new places, new people, all the while longing for stability and a 'normal' life. But Baby has a gift - the ability to find the good in people, a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. She is bright, smart, funny and observant about life on the dirty streets of a city and wise enough to realise salvation rests in her own hands." -- BOOK JACKET Inga biblioteksbeskrivningar kunde hittas. |
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For some reason, I just couldn't get into this book. It is well known and made by a Canadian author (which are the people I love promoting! Yay us! Go Canada) but it just wasn't my thing, and I can easily admit that.
I would highly recommend picking up this book for the amazing writing style alone, let alone how great it reads! The story itself just wasn't for me. (