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Life av Keith Richards
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Life (urspr publ 2010; utgåvan 2011)

av Keith Richards, James Fox

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
2,6411293,978 (3.83)185
Autobiography of the guitarist, songwriter, singer, and founding member of the Rolling Stones, Keith Richards. With the Rolling Stones, Keith Richards lived the original rock and roll life. He tells his story of life in the crossfire hurricane; his listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones, the Rolling Stones' first fame and the notorious drug busts that led to his enduring image as outlaw folk hero, creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." He discusses falling in love with Anita Pallenberg and the death of Brian Jones, his tax exile in France, wildfire tours of the U.S., isolation and addiction, as well as falling in love with Patti Hansen, and his bitter estrangement from Jagger and subsequent reconciliation. He talks about his marriage, family, solo albums and Xpensive Winos; the road that goes on forever.… (mer)
Medlem:bloomsday
Titel:Life
Författare:Keith Richards
Andra författare:James Fox
Info:Back Bay Books (2011), Edition: Reprint, Paperback, 576 pages
Samlingar:Ditt bibliotek, Ska läsas
Betyg:
Taggar:Ingen/inga

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Livet av Keith Richards (2010)

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» Se även 185 omnämnanden

engelska (122)  nederländska (3)  franska (2)  italienska (2)  Alla språk (129)
Visa 1-5 av 129 (nästa | visa alla)
I'm not a huge fan of biographies (because they tend to drag on about boring and useless information rather than focusing on interesting plotpoints), and even less so of autobiographies (because the author rarely has little writing talent), but I found this one quite a good read. Richards has an undeniablt British talent for putting words together, even though he's not working in his usual song-lyric medium (where it's pretty damn obvious that he has quite a bit of talent). Maybe it goes along with the scruffy Jewish hair and the English schooling system, but he had a few phrases where I had to remind myself that he is not in fact Neil Gaiman (haha).

Ironically, I'm actually not that big of a Rolling Stones fan either, and my appreciation for them has usually started and ended with their "rock star style" rather than with their music. I think I shall have to go out and get some of their music, because I found the lyrics that Richards included at poignant moments to be quite intriging. If I was back home I could at least listen to the one 'Stones vinyl I picked up at a vintage store on a whim, or Mick Jagger's debut solo album (that I borrowed from my mother and never returned because I quite liked it).

It's par for the course to expect the drugs fiasco to be a big part of their lives, and obviously drugs played a major part in some of the crucial points in this book, but I found Richard's recollections to be more honest than I had expected. It may have been a roller coaster ride at the time, but with the distance of time these episodes blend together in the same way that the distasters of childhood birthday parties do; the good details are remembered fondly but the bitter tears are also remembered as a means to not go back. Though it all I find it quite amazing that through it all Richards kept writing and playing music, and how involved he was in such a variety of musical projects. ( )
  JaimieRiella | Feb 25, 2021 |
Heard recently (12/2020) that Richards has quit smoking; anything's possible. This is a terrific book; how he lived to write it is anyone's guess. Fascinating on his favorite subject: music. Great stuff on influence, songwriting and guitar magic. Pulls no punches on his bandmates, others and especially himself. Vivid, entertaining and educational. ( )
  beaujoe | Dec 4, 2020 |
Audiobook

This starts off being read by Johnny Depp in abeautiful measured sonorous tone but somewhere around chapter 3 it is suddenly Keith himself reading it, either drunk, stoned or both. The transition can hardly be described as smooth. Then somewhere later on Johnny is back, likewise no explanation either way.

It soon becomes a metaphor for the life that is being described. All over the place comes to mind. But having said that it is entertaining, intelligent and boring by turns.

Lots of kind words for others along the way. Very long but worth every word. ( )
  Ken-Me-Old-Mate | Sep 24, 2020 |
"Life" was okay. Some of it was interesting, some of it wasn't, and in either case, Keith Richards is not a particularly great writer. Throughout he often goes on one or two sentence diversions that have little to do with his current theme. And during the earlier historical portions, lots of occasional sentences about something in the present, at the time of writing, which often feels a bit jarring, and made stop and think to piece together the flow.

It started off interesting, following Richards' growth as a guitar player and the birth of the Rolling Stones, then progressing through their albums and the interactions between the band members.

He was quite honest about his heavy drug use in the past, with some hints about some of it continuing into the present, mostly about marijuana usage.

Through the book you could follow the rise and fall of his close friendship with Mick Jagger, with some renewal much later, but it's clear they'll never be the same as they were when they were younger. At one point he sounded a bit jealous of Jagger's skill as a frontman on the stage.

The overall theme I got from it was that Keith Richards loves, absolutely loves, making music. He loves playing with just about any musician available, whether his longtime mates in the Rolling Stones, or planned side projects put together, or just half-random pickup bands with musicians who happen to be the neighborhood.

The last hundred pages or so he really lost it. Much of that has a few paragraphs about random seeming things, "I like dogs" and "I like English food" and stuff, but no general theme or flow to it. It could've really used an editor to help construct it into a narrative.

Overall, it was interesting reading about his life and what he had to say about the process of making some of the songs and albums I've enjoyed listening to. But the overall writing quality left a bit to be desired. Richards' skill at songwriting and playing the guitar are far, far superior to his skill at prose. ( )
  KevinRubin | Aug 3, 2020 |
Did you know that Keith Richards did drugs, slept with women (or just hugged them all night), and argued with Mick Jagger? If not, check out pages 13-412 of this book. ( )
  Bill.Towne | Jul 28, 2020 |
Visa 1-5 av 129 (nästa | visa alla)
Troligtvis är det mesta sant då det gäller denna 68-årige gitarrhjälte. En sann bad boy med ibland överdriven smak för livets goda – och dåliga. Man behöver inte bläddra allt för många sidor innan den ena anekdoten radas upp efter den andra. [...] Den engelska originalversionen av boken ger en mer rättvis känsla av Keith Richards berättande. Svenska översättningen räcker inte riktigt till och den torra brittiska humorn blir inte lika framträdande.
tillagd av andersocheva | ändraNostalgia Special (#3 2011), Jonas Andersén (Sep 2, 2019)
 
If you can remember the Sixties, blah blah blah. Boy can Keith Richards remember the Sixties, which is great. The real miracle is that he can remember the Seventies, considering that Keith’s poison was heroin, which would surely make performing in a high-energy band quite difficult, let alone raising two children, with a heroin-addicted Anita Pallenberg. So the very existence of this book is a marker against the ravages of time. It suggests that Richards’s memory is fresh in a way that his face isn’t. His memory has had a little help: there are letters he sent to relatives, and even a diary, as well as testaments from friends and garnering from other people’s memoirs. Goodness, there’s enough material to start an archive in somewhere like Texas, or for Andrew Motion to contemplate an official biography. For now, though, we have a lot of kind, perhaps even indulgent, transcription from James Fox.
tillagd av lkernagh | ändraThe Telegraph, Tom Payne (Nov 5, 2010)
 
The survivor's story is one of the predominant narratives of our time. It usually traces a familiar arc from excess through despair to redemption, and, as such, allows us to enjoy the vicarious thrill of voyeurism within the framework of a cautionary or salutary tale. Life by Keith Richards, the most famous survivor of them all, breaks with this tradition insofar as it contains excess aplenty but hardly any despair and very little redemption. Keith did it all, had a hell of a good time, and survived to brag about it.
tillagd av lkernagh | ändraThe Guardian, Sean O'Hagan (Oct 31, 2010)
 
Mick Jagger has always looked -- will always look -- like Mick Jagger. But try to connect the glum schoolboy-guitarist of early '60s black-and-white pics with the Keith Richards of today. A heap of living and occasional bouts of near-dying have gone into that flayed, weathered, kohl-eyed visage, whose topography suggests a moonscape irrigated with Jack Daniel's. After half a century on the road, Richards has the face he deserves -- but not, it appears, the brain. Against all pharmaceutical odds, he has held on to a substantial portion of his own history and has turned it into the most scabrously honest and essential rock memoir in a long time....And yet here he is, defiantly alive, and defiant in every other respect, too, his language just as politically incorrect, his judgments every bit as summary.
 
“Life” is way more than a revealing showbiz memoir. It is also a high-def, high-velocity portrait of the era when rock ’n’ roll came of age, a raw report from deep inside the counterculture maelstrom of how that music swept like a tsunami over Britain and the United States. It’s an eye-opening all-nighter in the studio with a master craftsman disclosing the alchemical secrets of his art. And it’s the intimate and moving story of one man’s long strange trip over the decades, told in dead-on, visceral prose without any of the pretense, caution or self-consciousness that usually attend great artists sitting for their self-portraits.
 

» Lägg till fler författare (6 möjliga)

Författarens namnRollTyp av författareVerk?Status
Richards, Keithprimär författarealla utgåvorbekräftat
Fox, Jamesmedförfattarealla utgåvorbekräftat
Depp, JohnnyBerättaremedförfattarevissa utgåvorbekräftat
Hurley, JoeBerättaremedförfattarevissa utgåvorbekräftat
Lindert, Jolanda teÖversättaremedförfattarevissa utgåvorbekräftat
Nilsson, BennyBerättaremedförfattarevissa utgåvorbekräftat
Olsson, LinnéaÖversättaremedförfattarevissa utgåvorbekräftat
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Autobiography of the guitarist, songwriter, singer, and founding member of the Rolling Stones, Keith Richards. With the Rolling Stones, Keith Richards lived the original rock and roll life. He tells his story of life in the crossfire hurricane; his listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones, the Rolling Stones' first fame and the notorious drug busts that led to his enduring image as outlaw folk hero, creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." He discusses falling in love with Anita Pallenberg and the death of Brian Jones, his tax exile in France, wildfire tours of the U.S., isolation and addiction, as well as falling in love with Patti Hansen, and his bitter estrangement from Jagger and subsequent reconciliation. He talks about his marriage, family, solo albums and Xpensive Winos; the road that goes on forever.

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Hachette Book Group

3 utgåvor av den här boken publicerades av Hachette Book Group.

Utgåvor: 031603438X, 0316120367, 1600242405

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