Jasper Gibson

Man, what a book. It was honestly a hard read because the depiction of schizophrenia was so distressing and the main character, Tom, is really lovable so I just felt so freaking awful for him. I would have given up half way if this wasn't recommended to me by a trusted source who promised a good ending. And damn was it a great ending. Tom's relationship with his sister who loved him so much and gave up so much to care for him, and his friendship with Missy whom he met in psychiatric ward were highlights of the book. It is also an uncomfortably realistic review on the broken mental health system (and the UK is meant to be one of the better ones in the world) and poses ethical questions about the treatment of psychosis and delusional disorders.… (mer)

Jasper Gibson's debut novel is a gentle caper, a measured romp, an amusing and original yarn about an aging eccentric Englishman on the run in Venezuela. Outwardly, he’s grouchy and offensive, but he has a broken heart and a poet’s eye for beauty. His boorishness is mostly a function of his vanity wrestling to suppress persistent underlying grief. There are moments of hilarity, despicable cruelty, sadness, amorousness, tension, romance, excitement, and fun. Overall, it’s a very enjoyable read.

There are occasions in the second half of the book where it verges on the over-written (one sentence early in Chapter forty-four is madly incoherent about rain and regions of the sky), but I generally took the occasional poetic description of some Venezuelan scenes as an expression of part of the protagonist’s character. He regards himself as intellectually and culturally superior to others, and it would be consonant with that for him to be inclined to occasionally lose himself in a poetic appreciation of his surroundings or an existential moment. His late wife’s book of poetry that he carries throughout hints at a mindset they probably would have held in common. This tendency ought to have been seeded earlier in the story a few times, though, as it seems to come out of nowhere halfway through and I almost felt I was reading a different book.

The mood, though, is generally comic and fun, and it’s pleasant to spend time in the main character’s company. I’ve seen a critic complain that it seems too incongruous to have occasions of sexual crime (in the later parts of the story) because the overall tone is comic. I don’t think that’s fair. The book is about the process of the protagonist’s deconstruction, which begins with him careening along, avoiding grief, danger, and debts with his grouchy humour, but that avoidance leads to ever worsening crises, until… well, let’s just say the humour naturally dissipates.

Gibson gives us an amusing little true story in the back, too, as a bonus. I like his writing. I like his gentle humour and strong voice, and for the vast majority of the time the writing is of good quality. I look forward to his next novel to see how he’s developed and where he’ll take us next.

My rating is 4.0 because the vision is grand, the spirit is strong, the fun is generous, and the humanity is there.… (mer)