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Papa Hemingway : personliga minnen

av A. E. Hotchner

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MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
762729,462 (4.01)21
An intimate, joy-filled portrait and New York Times bestseller, written by one of Hemingway's closest friends: "It is hard to imagine a better biography" (Life). In 1948, A. E. Hotchner went to Cuba to ask Ernest Hemingway to write an article on "The Future of Literature" for Cosmopolitan magazine. The article never materialized, but from that first meeting at the El Floridita bar in Havana until Hemingway's death in 1961, Hotchner and the Nobel and Pulitzer Prize-winning author developed a deep and abiding friendship. They caroused in New York City and Rome, ran with the bulls in Pamplona, hunted in Idaho, and fished the waters off Cuba. Every time they got together, Hemingway held forth on an astonishing variety of subjects, from the art of the perfect daiquiri to Paris in the 1920s to his boyhood in Oak Park, Illinois. Thankfully, Hotchner took it all down.   Papa Hemingway provides fascinating details about Hemingway's daily routine, including the German army belt he wore and his habit of writing descriptive passages in longhand and dialogue on a typewriter, and documents his memories of Gertrude Stein, F. Scott Fitzgerald, Martha Gellhorn, Marlene Dietrich, and many of the twentieth century's most notable artists and celebrities. In the literary icon's final years, as his poor health began to affect his work, Hotchner tenderly and honestly portrays Hemingway's valiant attempts to beat back the depression that would lead him to take his own life.   Deeply compassionate and highly entertaining, this "remarkable" New York Times bestseller "makes Hemingway live for us as nothing else has done" (The Wall Street Journal).    … (mer)
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I grew up in Idaho, approximately three hours’ drive from where Hemingway met his sad end. As it happens, I didn’t know that he had died in my home state until after it was no longer my home state, as my family moved to Tennessee before my Grade 11 year. To be fair, Hemingway isn’t a writer that children should really be exposed to, but still I am surprised that the fact was not not more widespread in the general cultural consciousness.

I happened to finish this book on the 62nd anniversary of Papa’s death, 2 July 2023. In fact, I stayed up to 23:30 at night to make sure I finished the last chapter on that day. This is perhaps the most significant anniversary of Papa’s death, since he would have turned 62 on 21 July 1961, Hotchner’s book, correctly called a memoir rather than a biography, chronicled a significant amount of the author’s experiences along the fringes of Hemingway’s entourage. Hemingway maintains his reputation as a larger-than-life literary master, maintaining relationships with many of the leading lights from literature and other forms of entertainment from the 1920s to the 1950s.

The pacing of the book is somewhat uneven, and there are many portions in which Hotchner describes Hemingway from afar, through letters, phone calls, or even press accounts. I think it would be a bit better had the book stayed within the times when Hotchner was in Hemingway’s presence. Then, the tone could have shifted markedly once Hemingway’s mental illnesses became impossible to suppress any longer. Their suppression, principally by Papa himself, is unsurprising, since, as Hotchner reports, he was ever fearful of losing his “equipment,” his mind and his talent, This fear is typically the case with public figures who rely on the power of their minds. Two other prominent examples come to mind: the only American to officially be recognized as world chess champion; and the great comedian Robin Williams, whose manic behavior, in retrospect, kept the “demons” at bay.

I enjoyed this book and it has inspired me to restart my own writing, which became stalled due to everyone’s favorite pandemic and the pressures that came with it. ( )
  mmodine | Jul 3, 2023 |
A very personal look at Ernest Hemingway.
Many insights into Hemingway. Clearly he was very bright and clearly he was severely emotionally ill at the time he shot himself.
Interesting vignettes of his time in Cuba and Spain and of his love for bullfighting and matadors. Many things came together at the end of his life to diminish his capabilities and lead to his depression and anxiety.
Given his family history there must be a genetic contribution to his emotional illness and suicide. Clearly the attempts to treat his emotional illness failed dismally.
THe author clearly knew Hemingway well and had a lot of insight into his mind.
Some of the information about Hemingway’s work habits were very interesting. ( )
  waldhaus1 | May 28, 2023 |
This was a fascinating look by his son. I would have loved more details and more insight, yet it shows hemingways life through the eyes of his son. ( )
  Thomas.Cannon | Dec 7, 2021 |
A.E. Hotchner was a good friend of Ernest "Papa" Hemingway from 1948 until Hemingway's sad decline and death in 1961. An interesting account focused on their friendship, convesations, and occasional reminiscing by Hemingway. I got the feeling Hemingway had mellowed somewhat in his later years, but at the same time increasingly suffered from mental and health issues. Because Hotchner was Hemingway's friend, this is definitely a sympathetic account and therefore probably not all that objective, but still provided insight in Hemingway's personality and thought processes. ( )
  ValerieAndBooks | May 19, 2017 |
A memoir of A.E. Hotchner a journalist who spent years with Hemingway in his later years as a friend and confidant. The book is insightful in getting a feel for the twilight of Hemingway's life and the struggles he encountered at the end. It was curious to me that Hotchner was taken in to Hemingway's confidences from an encounter as a journalist covering a story on him. Regardless Hotchner does become this and the book highlights the times they spent together around the world and at Hemingway's residences. It was a sad ending as Hemingway sinks into his depression and paranoia that led to his suicide. Not particularly pleasant material as he struggles to recapture his past and lifestyle that as in most such cases is not doable. Hemingway will always hold as a legend but in reality much of his life had to do with his struggles to maintain the life of adventure and experience. ( )
  knightlight777 | Mar 3, 2016 |
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Hotchner is not a great writer, of course, but his style is enough to move you through without too much roughness or too much involuteness. Hotchner adapted some of Hem’s work for television and the movies. In other words, Hotch made it off of Ernie and Ernie made it too. Hotchner often acted as middle-man in dickering for rights. Hem had an aptitude for picking the proper friends; he learned it early and stayed with it late...

The tragedy is the American situation where a man has to be a winner. Nothing else is acceptable. And when the winner comes down he saves nothing. Winner take nothing. Hotchner finishes the book: “Ernest had had it right: Man is not made for defeat. Man can be destroyed but not defeated.”
tillagd av SnootyBaronet | ändraOpen City, Charles Bukowski
 

» Lägg till fler författare (13 möjliga)

Författarens namnRollTyp av författareVerk?Status
Hotchner, A. E.Författareprimär författarealla utgåvorbekräftat
Major, Jean-RenéÖversättaremedförfattarevissa utgåvorbekräftat
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There are some things which connot be learned quickly, and time, which is all we have, mst be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Death in the Afternoon
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In the spring of 1948 I was dispatched to Cube to make a horse's ass out of myself by asking Ernest Hemingway to write an article on "The Future of Literature."
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An intimate, joy-filled portrait and New York Times bestseller, written by one of Hemingway's closest friends: "It is hard to imagine a better biography" (Life). In 1948, A. E. Hotchner went to Cuba to ask Ernest Hemingway to write an article on "The Future of Literature" for Cosmopolitan magazine. The article never materialized, but from that first meeting at the El Floridita bar in Havana until Hemingway's death in 1961, Hotchner and the Nobel and Pulitzer Prize-winning author developed a deep and abiding friendship. They caroused in New York City and Rome, ran with the bulls in Pamplona, hunted in Idaho, and fished the waters off Cuba. Every time they got together, Hemingway held forth on an astonishing variety of subjects, from the art of the perfect daiquiri to Paris in the 1920s to his boyhood in Oak Park, Illinois. Thankfully, Hotchner took it all down.   Papa Hemingway provides fascinating details about Hemingway's daily routine, including the German army belt he wore and his habit of writing descriptive passages in longhand and dialogue on a typewriter, and documents his memories of Gertrude Stein, F. Scott Fitzgerald, Martha Gellhorn, Marlene Dietrich, and many of the twentieth century's most notable artists and celebrities. In the literary icon's final years, as his poor health began to affect his work, Hotchner tenderly and honestly portrays Hemingway's valiant attempts to beat back the depression that would lead him to take his own life.   Deeply compassionate and highly entertaining, this "remarkable" New York Times bestseller "makes Hemingway live for us as nothing else has done" (The Wall Street Journal).    

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