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The Good Lord Bird (2013)

av James McBride

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MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
1,5941058,463 (3.89)179
Henry Shackleford is a young slave living in the Kansas Territory in 1857, when the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry's master quickly turns violent. Henry is forced to leave town with Brown, who believes he's a girl. Over the ensuing months, Henry, whom Brown nicknames Little Onion, conceals his true identity as he struggles to stay alive.… (mer)
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» Se även 179 omnämnanden

engelska (104)  piratspråk (1)  tyska (1)  Alla språk (106)
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I was even more interested in reading this book after reading John Brown, Abolitionist: The Man Who Killed Slavery, Sparked the Civil War, and Seeded Civil Rights, so the next time I saw a copy at the bookstore I snatched it up. Our introduction to Brown in this book is a little... unorthodox, and this book goes on to trouble the legacy of Frederick Douglass as well. But maybe that's part of the miracle of this book. It's a work of fiction so engaging that I was out here frantically Google-researching whether Douglass was a pompous philandering dickhead or not.

Told from the perspective of Henry Shackleford, a young slave living in Kansas Territory in 1856, who Brown mistakes for a girl and sort of adopts as a good luck charm. For complicated reasons, Henry ends up following the Brown clan and living as a girl on and off for years — right up til the Harper's Ferry conflict in 1859. This very unique perspective puts an entirely new frame on the John Brown story and the lead-up to the Civil War.

Listen, I would have LOVED an afterword on McBride's research/process, with some notes on what was grounded in evidence and what was embellishment, but I am also kind of enjoying all the little questions this book left me with that I keep looking up in various places.

So good. ( )
  greeniezona | Sep 18, 2021 |
Henry Shackleford/Little Onion is a character that got my attention. Too bad we didn't get more than a glimpse of his later life as a bounder. I am glad that I had previously read a history of the John Brown attack on Harper's Ferry before reading this novel. The events described are very close to what is known as far as I can tell. John Brown - so contradictory! Bloodthirsty, off his rocker but truly an egalitarian and a believer. ( )
  Je9 | Aug 10, 2021 |
"The Good Lord Bird" is a fictionalized re-creation of what being with abolitionist John Brown might have been like during his war against slavery. The story is told through the recollections of Henry Shackleford, a pre-teen slave rescued by John Brown. Mistaken as a young girl when liberated, Henry continued to live the lie of being a girl during his years with Brown and his anti-slavery fighters. The story ends approximately five years later following John Brown's unsuccessful raid on Harpers Ferry.

Brown is portrayed as a somewhat crazed, Bible-quoting religious zealot, driven by his belief that he's doing God's will in his fight against slavery. The language of the characters is written in what I imagine is an attempt to mimic the "slave-speak" of the era. I wouldn't know if the people of that time, both white and black, actually spoke as portrayed, but I do have the sense that the general facts concerning the Harpers Ferry raid were fairly accurate. The story reflects the struggle between the pro and anti slavery movements, and with passions so high on both sides, does make it easy to see how several years later, the Nation was divided by the Civil War.

( )
  rsutto22 | Jul 15, 2021 |
Comparison to Mark Twain is inevitable for an American satirist adopting 19th-century Missouri dialect. Twain would have pulled his punches where James McBride charges ahead as fearlessly as John Brown. Still, this 21st century reimagining of the Harpers Ferry raid sees folly everywhere, and that's where the twain meet.
  rynk | Jul 11, 2021 |
McBride's Color of Water is one of my all-time favorites. In this novel, he follows the trail of abolitionist John Brown as he gathers his forces to capture the armory at Harpers Ferry in 1859 via emancipated slave, Henry ("Little Onion") Shackleford. John Brown is a larger-than-life character and optimist/evangelist for the freedom of slaves. Like Panasonic, Brown was slightly ahead of his time, seeking assistance from Frederic Douglass and Harriet Tubman along the way. At times excellent, at times slow, I thought it was a 3.75, which is apparently the Goodreads consensus. ( )
  skipstern | Jul 11, 2021 |
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The book appears to be very random, as though the author and his editor had failed to spot that there are a troublesome number of repetitions and inconsistencies. Brown’s endless praying seems to be a comedic line that McBride has overinvested in.... McBride’s other running joke is that most of the slaves have not the slightest interest in being liberated.... Onion, although occupying hundreds of pages, is never interesting or even fully realised.... After the inevitable tragedy of Harper’s Ferry..., Onion finds his way to Philadelphia and freedom. Unexpectedly, this final section of the book really takes wing and almost redeems what I think is a missed opportunity.
 
...unpretentious, very funny, and totally endearing.... Still, any comic novel about such a calamitous time is a daring conceit, which in the wrong hands could go painfully wrong. McBride’s America feels huge, chaotic, and very much in formation.... Comparisons to Twain are inevitable, particularly given McBride’s use of vernacular.... But the raucous joy of traveling with Brown and his army also recalls Chaucer and Boccaccio. Brown may not be a polished hero, but he’s certainly an entertaining one, particularly with his band of not-so-merry men and one spunky, cross-dressing kid in tow.
 
This is a story that popular culture doesn't often visit, and it takes a daring writer to tackle a decidedly unflattering pre-Civil War story. Yet, in McBride's capable hands, the indelicate matter of a befuddled tween from the mid-19th century provides a new perspective on one of the most decisive periods in the history of this country.
tillagd av Muscogulus | ändraNPR, Bobbi Booker (Aug 23, 2013)
 
In McBride’s version of events, John Brown’s body doesn’t lie a-mouldering in the grave—he’s alive and vigorous and fanatical and doomed, so one could say his soul does indeed go marching on.... McBride presents an interesting experiment in point of view here, as all of Brown’s activities are filtered through the eyes of a young adolescent who wavers between innocence and cynicism.
tillagd av Muscogulus | ändraKirkus Reviews (Aug 20, 2013)
 
There is something deeply humane in this, something akin to the work of Homer or Mark Twain. We tend to forget that history is all too often made by fallible beings who make mistakes, calculate badly, love blindly and want too much. We forget, too, that real life presents utterly human heroes with far more contingency than history books can offer. McBride’s Little Onion — a sparkling narrator who is sure to win new life on the silver screen — leads us through history’s dark corridors, suggesting that “truths” may actually lie elsewhere.
tillagd av zhejw | ändraWashington Post, Marie Arana (Aug 19, 2013)
 

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FOR MA AND JADE,
WHO LOVED A GOOD WHOPPER
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Prologue: 
Rare Negro Papers Found
by A.J. Watson
Wilmington, Del. (AP)
June 14, 1966
A fire that destroyed the city's oldest Negro church has led to the discovery of a wild slave narrative that highlights a little-known era of American history

Chapter 1:
I was born a colored man and don't you forget it.
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"Being a Negro’s a lie, anyway. Nobody sees the real you. Nobody knows who you are inside. You just judged on what you are on the outside whatever your color. Mulatto, colored, black, it don’t matter. You just a Negro to the world."
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Henry Shackleford is a young slave living in the Kansas Territory in 1857, when the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry's master quickly turns violent. Henry is forced to leave town with Brown, who believes he's a girl. Over the ensuing months, Henry, whom Brown nicknames Little Onion, conceals his true identity as he struggles to stay alive.

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