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Subway Slayings

av C.S. Poe

Serier: Memento Mori (2)

MedlemmarRecensionerPopularitetGenomsnittligt betygOmnämnanden
293817,235 (4.05)12
Detective Everett Larkin of New York City's Cold Case Squad has been on medical leave since catching the serial killer responsible for what the media has dubbed the "Death Mask Murders." But Larkin hasn't forgotten that another memento-another death-is waiting to be found. Summer brings the grisly discovery of human remains in the subway system, but the clues point to one of Larkin's already-open cases, so he resumes active duty. And when a postmortem photograph, akin to those taken during the Victorian Era, is located at the scene, Larkin requests aid from the most qualified man he knows: Detective Ira Doyle of the Forensic Artists Unit. An unsolved case that suffered from tunnel vision, as well as the deconstruction of death portraits, leads Larkin and Doyle down a rabbit hole more complex than the tunnels beneath Manhattan. And if this investigation isn't enough, both are struggling with how to address the growing intimacy between them. Because sometimes, love is more grave than murder.… (mer)
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For those that are not fans of M/M Romances will find this series on the very mild side with a great deal of emphasis on the murders and the professional levels of the two main characters. From the first book I found the capabilities of the Forensic Artist Unit to be fascinating. The characters of Everett "Evie" Larkin and Ira Doyle are so unusual from the characters of most mysteries. Everett “Evie” Larkin is an expert in the Cold Case Squad for the NYPD. His confidence and HSAM (highly superior autobiographical memory), works against him at times, and it doesn’t help that he always feels that “no one wants to know or care.” He's not great at socializing or schmoozing, and while he can be very direct, it’s never his intention to be mean. He’s in the middle of a divorce from Noah Rider. Noah has been mentally abusive, and it has destroyed their relationship. He never really accepted Evie's HSAM, nor does he try very hard. I didn't like Noah from the start. Couldn't even work up a smidgen of "sorry" for him. The HSAM gives Evie an almost flawless memory. He is doomed to always remember every tragedy of his past as well as instant recall of every date and occurrence. He's respected by his co-workers but not especially liked. That's okay with Evie...the only one he cares about "liking" him is Ira Doyle. Detective Ira Doyle is just simply a great guy. He’s got a good personality, is very friendly and likes to joke. He’s also an expert Forensic Artist. Each profile sketch is important to him and must be exact. He’s battling his own grief and guilt from the past, and there are still things that he will not speak of. He opens his home and his heart to Everett, (he's the only one that calls him "Evie) and gradually they start to build a relationship. A cold case falls in their laps that’s twenty-three years old. A young man at the time, Marco Garcia, was killed in the NY subway and the case was never solved. More unsolved subway deaths are soon showing up. way. This series is a very precise and well-plotted mystery that opens up information about a part of police work that I was completely unaware of. I can’t wait to see what is in store for the third novel, Broadway Butchery. ( )
  Carol420 | Jan 12, 2023 |
Protagonist with a disability that creates difficulties socializing with other people, but makes him really good at the job. Will definitely pick up the next one in the series. ( )
  klandring | Jan 3, 2023 |
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For Kale. Thank you for elevating this series to something more.
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It was Tuesday, May 19, 4:57 p.m., and there was a body in a blue IKEA tote bag.
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Detective Everett Larkin of New York City's Cold Case Squad has been on medical leave since catching the serial killer responsible for what the media has dubbed the "Death Mask Murders." But Larkin hasn't forgotten that another memento-another death-is waiting to be found. Summer brings the grisly discovery of human remains in the subway system, but the clues point to one of Larkin's already-open cases, so he resumes active duty. And when a postmortem photograph, akin to those taken during the Victorian Era, is located at the scene, Larkin requests aid from the most qualified man he knows: Detective Ira Doyle of the Forensic Artists Unit. An unsolved case that suffered from tunnel vision, as well as the deconstruction of death portraits, leads Larkin and Doyle down a rabbit hole more complex than the tunnels beneath Manhattan. And if this investigation isn't enough, both are struggling with how to address the growing intimacy between them. Because sometimes, love is more grave than murder.

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