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Laddar... Daniel Eatock Imprint: Works 1975-2007av Daniel Eatock
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Gå med i LibraryThing för att få reda på om du skulle tycka om den här boken. Det finns inga diskussioner på LibraryThing om den här boken. Daniel Eatock's art/work is a thing of whimsy and Zen insight. His self-designed retrospective Imprint will have you laughing out loud. A master wit and visual contextualizer, he's a post-Warholian ninja. His designs and concepts will inspire you. His egotism will annoy you. He gave me a great idea for how to make a bed frame on the cheap. Message to any negative ninnies who are dismissive of Eatock's work: quit your job and do what he does. He likely gets paid more and has more fun while he is doing it. You'll never think about car batteries the same way again. ( ) inga recensioner | lägg till en recension
Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea ofthe refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work madewithout a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving client problems or those of his own choosing, Eatock's work responds to personal fascinations and the desire to invent, discover, and present. His commissioned works for clients include an exhibition catalog featuring sound chips, a flip book, handwritten notes, and a cover wrapped in the upholstery fabric used on London transit seating, as well as the graphic identity of the UK'sBig Brother reality-TV series, among many others. Eatock's idea of "entrepreneurial authorship" has resulted in numerous self-published limited-edition works such as an edition of prints made using every color of Pantone's felt-tip pens and hisUntitled Beatles Poster, which includes the lyrics from every Beatles song. Eatock's most personal self-initiated artworks share an unabashed enthusiasm for punch lines, miscommunication, and seriality: there's the search for a stone that weighs exactly one stone; a perfectly hand-drawn circle, the world's largest signed and numbered limited-edition artwork, utilitarian greeting cards, price label wrapping paper, car alarm dances, and a fruit bowl stickered with fruit labels. The first monograph on this unconventional practitioner,Daniel EatockImprint is as unconventional as the artist himself. While utilizing and embracing the expectations of a traditional monograph, the London-based designer also challenges and subverts them, presenting works based on connections and associations through color, composition, titles, material, and format rather than in chronological or hierarchical order. Constantly oscillating between art and graphic design, this book is full of Eatock's astute observations and eccentric obsessions. Inga biblioteksbeskrivningar kunde hittas. |
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